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Camerata Ritmata

Simon Thacker (guitar)
Paul Harrison (piano)
Mario Caribé (bass)
Stu Brown (drums & percussion)

Friday 11 April 2014
8pm
Inverurie Town Hall (map)

Tickets £12.00, £9.00 (concession), £1.00 (children & full-time students) available at the door or from Morgan's Music Shop

Original listing


Review by Alistair Massey

Ritmata

In an eclectic musical journey that spanned medieval Spain, the Middle East, India and Brazil, Simon Thacker's Ritmata injected exciting and compelling flavours into their performance on Friday at Inverurie Town Hall. It featured Paul Harrison (piano), Mario Caribé (bass) and Stu Brown (drums) as well as their leader Simon Thacker (guitar), who has been rightly acclaimed for his work as composer and innovator in bringing together international groups of musicians.

The concert began in contemplative style with Simon's compositions based on Spanish religious music from the 13th century, some of the earliest Western manuscripts in existence. This warmly evoked the vocal originals and was followed by an original composition, For Justyna. It featured Mario Caribé on double bass, who sensitively demonstrated its rarely-heard lyrical qualities. During the concert, each instrument had the opportunity to shine alone. The Azerbaijani Bana Bana Gal included a well-crafted drum solo. Stu Brown kept up the pace of this supercharged piece; its impelling rhythms were a tour de force without traffic lights.

After an interlude of Thessalonican and Indian music, Pandora's box was opened when the programme was finished off with the captivating but somewhat mischievous rhythms of Brazil. Mario Caribé showed his deft and understated handling of the bass in the ensemble's rendition of the cross-rhythms of his native country. Impelling sambas were interspersed with choros, one arranged by Paul Harrison, who provided us with a romp of technical brilliance.

As well as their individual virtuosity, the outstanding feature of Ritmata was their work and musicality in shaping the pieces together. The variety was warmly appreciated by an audience that was drawn from many musical backgrounds. Their style could be lightly termed as jazz but only on one level of listening, as it is underpinned with a wide awareness of style, including classical musicianship. Astoundingly precise unison passages with piano, guitar and double bass were contrasted with a texture where the piano provided the main harmonic punctuation and the rhythmic precision had the audience on the edge of their seats.

In his fusion of classical traditions and world music with an improvised flavour, Simon Thacker has provided us with music that is interesting, accessible and brilliant. Simon Thacker's Ritmata will be appearing at this year's Edinburgh Festival Fringe.

This concert was Inverurie Music's last concert of the season. Keep up to date with future concerts for the 2014–2015 Season on the website: www.inveruriemusic.co.uk.

Photo by Alistair Massey



Inverurie Music has been presenting concerts in Inverurie and the surrounding areas since its foundation in 1999.


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